Showing posts with label Women's Darts. Show all posts
Showing posts with label Women's Darts. Show all posts

Thursday, October 29, 2026

The Forgotten Women of Darts Part 3: Wartime Darts and the First Women's Pairs Champions

 

The Forgotten Women of Darts – Part Three: From Wartime Darts to the Forgotten Champions of the 1950s (1939–1959)

When I started researching the history of women's darts, I expected to find a few interesting stories from the 1930s before moving fairly quickly towards the better-known players of the 1970s.

Instead, the first two instalments uncovered quite a bit more than I anticipated.

We found Eileen Turnage, an 18-year-old from Essex who was beating men in the News of the World competition in 1936.

We discovered Mrs Morgan, who went even further and qualified for the News of the World Grand Finals in 1937.

And then came the remarkable story of a women's tournament attracting around 2,000 entrants in 1938, with its final broadcast by the BBC.

There was even the Queen having a throw at a dartboard, helping bring the game to a much wider female audience.

It seemed that women's darts was beginning to develop something of a following.

But then came September 1939.

Britain was at war.

And that got me wondering what happened to all those women who had been playing darts during the previous decade.

Did they carry on playing? Did the war bring everything to a halt? And when the competitions returned, were women still part of the game?

The answers take us through the 1940s and 1950s, and eventually to two women whose names deserve to be remembered.

When the biggest tournament stopped

By the outbreak of the Second World War, the News of the World Individual Darts Championship had become one of the biggest sporting competitions in Britain.

Hundreds of thousands of players were entering, with local pub winners progressing through area and divisional competitions in the hope of reaching the Grand Finals.

For a darts player at the time, it was about as big an achievement as you could hope for.

But the war brought the competition to a halt.

The News of the World Championship was suspended, and the major competitive structure that had developed during the 1930s was disrupted.

For the women who had been entering alongside the men, that meant losing one of the few established opportunities to compete on a major stage.

And unlike today, there wasn't a separate women's professional circuit or national championship structure waiting to replace it.

But darts itself certainly didn't disappear.

Darts goes to war

One thing that becomes apparent when looking at wartime darts is how widely the game continued to be played.

Servicemen played in army camps, aboard ships and even in prisoner-of-war camps.

Sometimes dartboards and equipment were provided through NAAFI recreational packs.

On other occasions, players made their own equipment.

And when you think about it, darts was almost ideally suited to wartime recreation.

You didn't need a large playing area, a team of eleven or expensive facilities.

Just a board, some darts and somewhere safe to play.

It provided entertainment, competition and probably a welcome distraction from everything else going on.

Darts also continued to feature in fundraising and charity events.

The News of the World even maintained a team of leading darts players who appeared at exhibitions during the war, helping raise money for good causes, including the Red Cross.

So although the major championships had stopped, people were still throwing darts.

But what about the women?

A different world for women

The war changed everyday life enormously.

Women who might previously have been expected to remain largely within traditional domestic roles were suddenly working in factories, transport, agriculture and numerous other occupations.

Many joined the auxiliary services.

Others took on responsibilities that had previously been regarded as men's work.

So it's interesting to consider whether those changes also affected women's opportunities to play darts.

After all, women were now spending time in workplaces and organisations where recreational activities could form part of everyday life.

And darts was already a popular game.

It seems quite possible that women continued playing in factories, clubs and other wartime settings.

But there's an important difference between something seeming likely and being able to prove it.

At present, I haven't found enough reliable records to establish how widespread organised women's darts was during the war.

We know darts continued.

We know women were becoming involved in different areas of working and social life.

But we can't automatically assume that women's competitive darts flourished as a result.

That is something I'd still like to investigate further.

A glimpse of darts in 1940

One small piece of contemporary evidence comes from Cheltenham.

In August 1940, the Cheltenham Chronicle and Gloucestershire Graphic reported on a sports and fun fair at the Ucal sports ground in Battledown.

The event raised money for the Cheltenham Sportsmen's Ambulance and the General Hospital.

Among the attractions was a darts competition.

Photographs from the event show people gathered around the darts activity, with women among those present.

Unfortunately, the surviving photographs don't establish whether those women actually competed.

So it would be wrong to claim this was a women's darts tournament.

But it does show that darts remained part of community and fundraising activities during the war.

And I suspect that much of the story of women's darts during this period lies in events just like these.

Not necessarily major championships.

Perhaps small competitions organised by factories, social clubs, pubs or local communities.

The sort of competitions that might have appeared in a local newspaper for one week and then been forgotten.

The women who disappeared from the records

Something else has been bothering me as I've worked through this period.

What happened to Miss Champion and Mrs Westlake?

They were the two finalists in that remarkable BBC-broadcast women's competition in 1938.

Approximately 2,000 women had entered, and these two had reached the final.

Miss Champion won.

Yet I haven't been able to establish what happened to either of them afterwards.

Did they continue playing through the war?

Were they still competing in the late 1940s?

Did either win further titles?

I don't know.

And that illustrates one of the difficulties with researching early women's sport.

Some women achieved enough to attract newspaper coverage, but there wasn't necessarily a lasting record of their careers.

Sometimes all we have is a surname and a town.

It makes you wonder how many talented players have simply disappeared from darts history.

Darts comes home

The war ended in 1945, and Britain began the long process of rebuilding.

Darts was part of that return to everyday life.

Leagues and competitions developed again, and the News of the World Championship returned in the 1947–48 season.

The reported number of entrants was extraordinary.

289,866 players.

After years without the competition, there was clearly still an enormous appetite for darts.

And the game was spreading beyond Britain.

Servicemen and women from overseas had encountered darts during the war, while people settling in other countries helped establish clubs and competitions.

The sport was becoming increasingly international.

But although organised darts was recovering, that didn't necessarily mean opportunities for women were improving at the same rate.

Still very much a man's game

One thing that becomes clear when looking at the post-war years is that darts remained overwhelmingly male-dominated.

Pubs were still central to the game, and many established leagues were organised primarily for men.

Women's teams certainly existed, and female interest in darts continued.

But there wasn't anything approaching the same national competitive structure available to women.

In fact, resistance to women joining established leagues would continue well beyond the 1950s.

Darts historian Dr Patrick Chaplin records an example from Lancaster in 1963, when a housewife applied to join a local league and was refused because it was restricted to men.

1963!

That was nearly a quarter of a century after the war had begun.

It demonstrates that the difficulties faced by women weren't simply a feature of the distant pre-war years.

Even as darts became more organised, some of the old attitudes remained.

But things were beginning to change.

A new organisation and new opportunities

In 1954, the National Darts Association of Great Britain was established.

The organisation helped develop competitive darts during a period that doesn't always receive much attention when the history of the sport is discussed.

The 1950s are often overshadowed by the growth of televised darts during the following decades.

But there were important developments taking place.

And in 1958 came a significant milestone for women's darts.

The National Darts Association of Great Britain introduced its first Women's Pairs Championship.

At last, we have another clearly documented national women's competition.

And, importantly, we have the names of the winners.

Joan Adams and Rose Branham — the forgotten champions of 1958

The inaugural Women's Pairs Championship was won by Joan Adams and Rose Branham.

They represented the Workers Club in King's Lynn, Norfolk.

Two women whose names will probably be unfamiliar to the vast majority of modern darts supporters.

They were the first winners of a women's pairs competition organised by one of the country's principal darts bodies.

That's a genuine piece of darts history.

I would love to tell you more about Joan and Rose.

How long had they been playing together?

Were they regular league players?

Had they been competing during the earlier part of the 1950s?

And how much attention did their victory receive locally?

Unfortunately, I haven't yet uncovered enough reliable information to answer those questions.

But perhaps that's the point.

We remember the great champions of the television era because their achievements were recorded, filmed and repeated.

Earlier generations didn't always have that advantage.

Joan Adams and Rose Branham deserve recognition for what they achieved in 1958, even if we currently know very little about their wider playing careers.

And I suspect there are other players from that period whose stories are waiting to be found.

A small step, but an important one

It would be easy to look at the introduction of a women's pairs championship and think it was a relatively minor development.

After all, it was just one competition.

But consider where we'd come from.

In the 1930s, women such as Eileen Turnage and Mrs Morgan were entering major competitions against men.

There had been women's events attracting large numbers of entries, but the opportunities were inconsistent.

Then came six years of war, followed by a period of rebuilding.

By 1958, one of the country's major darts organisations was running a dedicated women's championship.

It wasn't equality.

It wasn't a professional tour.

And it certainly didn't mean that female players suddenly enjoyed the same opportunities as men.

But it was another step towards a more organised women's game.

There was now a national title for women to compete for under an established darts organisation.

And that mattered.

The next generation was already playing

While Joan Adams and Rose Branham were winning their championship, another generation of female players was beginning to emerge.

One name we'll be returning to is Loveday King, from Cornwall.

Born in 1935, Loveday began playing darts in 1952, encouraged by her husband Tommy.

At that point, she was simply another woman enjoying the game.

But over the following decades she would become one of the leading female players in Britain, eventually appearing on television and winning a major title.

Her story is particularly interesting because it links the relatively poorly documented women's game of the 1950s with the growing opportunities of the 1960s and 1970s.

And she wasn't alone.

There were women playing good darts around the country, even if most of their names weren't yet appearing regularly in the national sporting press.

The challenge for this series is to find as many of them as possible.

Twenty years of change — but how much progress?

When we look back over the period from 1939 to 1959, it's tempting to describe it as twenty years of steady progress.

But I don't think the evidence really supports that.

The war disrupted the major competitions.

The post-war years saw darts recover and expand, but the game remained largely male-dominated.

Women continued playing, although many still faced restrictions and fewer opportunities than men.

Then, towards the end of the 1950s, we begin to see clearer signs of organised women's competition returning to the national picture.

The 1958 Women's Pairs Championship is an important example.

And perhaps the biggest lesson from these twenty years is that women's darts didn't simply disappear between the 1930s and the television era.

Women were still playing.

They were still competing.

And by the end of the 1950s, some were winning national titles.

We just haven't heard enough about them.

Where do we go next?

We've now travelled from the beginnings of organised darts in the 1920s through the Second World War and into the late 1950s.

And already we've uncovered names that deserve a place in the history of the sport.

Eileen Turnage.

Mrs Morgan.

Miss Champion and Mrs Westlake.

Joan Adams and Rose Branham.

And we've begun to encounter players such as Loveday King, whose careers would become much more prominent in the years ahead.

The next instalment will take us into the 1960s.

Women's darts was still facing obstacles, but opportunities were beginning to develop.

And we are getting closer to the generation that would help transform the women's game during the 1970s.

I'm particularly interested in discovering which women were dominating local leagues and tournaments during this period, long before television began making darts players household names.

Because somewhere between those local competitions and the arrival of the BDO lies another important part of the story.

And I suspect we'll find some more forgotten names along the way.


Can you help uncover the forgotten history?

I'm continuing to research the history of women's darts for Quest For Q School.

I'd particularly like to hear from anyone who has information about women's darts during the 1940s, 1950s or 1960s.

Perhaps your mother or grandmother played in a pub team.

Perhaps you have old newspaper cuttings, programmes, photographs or trophies.

Or perhaps you remember some of the women who were competing before the sport became widely televised.

I'd be especially interested in finding out more about Joan Adams and Rose Branham of King's Lynn, winners of the 1958 Women's Pairs Championship.

Even a small piece of information could help uncover another forgotten story.

Please get in touch through Q4QS or the Facebook group.

The Forgotten Women of Darts is an ongoing Q4QS historical series tracing women's involvement in competitive darts from its earliest organised years through to the modern professional game.


Sources and Further Reading

The following sources have been used to establish the historical background, tournament developments and individual achievements discussed in this article.

Research acknowledgement: Particular acknowledgement is given to darts historian Dr Patrick Chaplin, whose extensive work documenting the early history of darts provides important background for this series. The articles are independently written for Quest For Q School, and areas where the historical record remains incomplete are identified accordingly.

Sunday, October 25, 2026

Q4QS Weekly Spotlight: Kelson Hughes, Keegan Brown and Tracey Dean Shine | 18–24 October 2026


 


Another week of grassroots darts, another mountain of results to look through, and another three players who caught my eye.

One thing I particularly like about putting these weekly articles together is that there's always more than one way to have a good week.

You can win several tournaments, of course. But you can also play consistently well without picking up every trophy, or reach a final that means more to you than half a dozen ordinary victories.

That's why I don't want this feature to become simply a list of the players with the highest averages or the most wins.

This week I've chosen Kelson Hughes, Keegan Brown and Tracey Dean.

Between them, they've produced some excellent performances, but there are three quite different stories behind those results.


Kelson Hughes — Q4QS Rank #606

Player Profile

Kelson Hughes has been building an impressive record in the Q4QS Database.

From 110 recorded matches, he's won 96, giving him an outstanding 87.3% win rate.

He's competed in 17 recorded events, winning five tournaments and reaching another four finals. He's also made four semi-finals.

His overall match average stands at 77.42, with a Q4QS Average of 78.36.

His highest recorded average is a remarkable 115.62, achieved against Lucas Martin at the Castle Arms in Denbigh on 13 October.

That performance was actually from the previous week, but it gives an indication of the standard Kelson can produce.

And this week, he certainly made his presence felt around North Wales.

This Week

Kelson began his run on Tuesday 20 October by winning the Vault 19.0 tournament at Castle Arms, Denbigh.

Among his performances was a 100.20 average against Max Messham, while he also recorded a 3–0 victory over Baz Tym.

On Wednesday, he followed that with another tournament victory at The Nelson in Rhyl.

Two evenings, two titles.

Then on Thursday he completed a hat-trick of consecutive Vault victories, this time at Cross Foxes, Prestatyn.

One of the standout performances came against Jason Boulton, with Kelson producing a 107.36 average in a 2–0 victory.

Three tournaments on three consecutive evenings is an excellent return, regardless of the standard you're playing at.

But there was still more to come.

On Saturday, Kelson competed in the Keith Woodfine Memorial at Prestatyn Town Football Club.

This time he reached the final after defeating Richard Martin 3–0, Adam Paxton 3–1 and Alex Williams 4–3 in the knockout stages.

His semi-final against Alex Williams was particularly close, with Kelson averaging 84.03.

The final against Andy Courtney proved a step too far, with Kelson losing 5–1, although he still averaged 83.84.

So, across the week, Kelson collected three Vault titles and a memorial tournament runner-up finish.

What I like about this run is that it wasn't simply one outstanding evening.

He kept turning up, kept winning matches and kept putting himself in contention.

There's obviously a big difference between winning a local Vault event and reaching the final of a larger tournament.

But doing both in the same week is certainly worth recognising.


Keegan Brown — Q4QS Rank #388

Player Profile

Keegan Brown is a name many darts followers will already recognise, but I'm looking at his performances here in exactly the same way as everyone else's: through the results recorded in the Q4QS Database.

And those results make interesting reading.

Across 259 recorded matches, Keegan has won 220, giving him an 84.9% win rate.

He's appeared in 48 recorded events, winning 13 tournaments and finishing runner-up on another eight occasions.

His overall match average stands at 81.42, while his Q4QS Average is slightly higher at 82.52.

His best recorded match average is 115.62, achieved at the Simeon Arms in Ryde on 14 October.

Again, that was the previous week, but it's a reminder of the level he's capable of reaching.

His recorded victories also include wins over Scott Waites and Tommy Morris on the PDC Challenge Tour.

This week, however, it was his consistency across several local competitions that caught my attention.

This Week

Keegan enjoyed an extremely productive few days, reaching four finals in four days.

His run included two tournament victories and two runner-up finishes, with appearances across the Isle of Wight and Southampton area.

On Tuesday 20 October, he was competing at the Ambassador Freehouse on the Isle of Wight.

One particularly impressive performance came against Connor Mitchell, whom he defeated 2–0 with a 103.66 average.

Later in the week, Keegan crossed over to the Southampton area.

On Thursday, he competed at Locks Heath Working Men's Club, producing a superb 111.33 average in a 2–0 victory over Jason Collins.

He also beat Gary Stafford 3–0 in the quarter-final, averaging 93.94, before defeating Bart Blake 3–0 in the semi-final.

Then on Friday he reached another final, this time at Sarisbury Green Social Club.

His route included a 3–0 quarter-final victory over Thomas Lacey, averaging 86.71, followed by another 3–0 win against Archie Davies-Eade in the semi-final.

That semi-final came with a 93.94 average.

The final went to Jarred Cole, who won 3–1, although Keegan still averaged 84.24.

There's a temptation when looking at a player with Keegan's experience to take performances like these for granted.

But I don't think we should.

Whatever level you've played at previously, you still have to turn up, win your matches and earn your place in the final.

And reaching four finals in four days is an excellent achievement.

The two titles are obviously welcome, but it's the consistency that stands out for me.


Tracey Dean — Q4QS Rank #4,976

Player Profile

Tracey Dean is probably the player whose story best illustrates why I started doing these Weekly Spotlights.

She's not someone whose record is built around winning a tournament every other night.

Instead, there's a substantial amount of competitive darts behind her, and this week she enjoyed a couple of performances that deserve recognition.

The Q4QS Database currently contains 421 recorded matches for Tracey, of which she's won 243.

That gives her a 57.7% win rate.

She's competed in 98 recorded events, winning three tournaments and finishing runner-up on another nine occasions.

She's also reached six semi-finals and 18 quarter-finals.

Her overall match average is 62.28, with a Q4QS Average of 62.37.

Her highest recorded average is 97.66, achieved against Archie Wright in June.

She's also recorded victories over players including Angela Kirkwood, Jake B-Smith and Jamie Chaplin.

But this week's story isn't really about her best averages.

It's about reaching a major final and then coming close again just two days later.

This Week

On Sunday 18 October, Tracey reached the final of the WADC Red Dragon National Singles.

I think that's worth emphasising.

This wasn't simply another local weekly tournament. It was a national final, and Tracey had played her way into the last match of the competition.

She eventually finished runner-up to Jo Locke.

Of course, losing a national final is going to be disappointing, particularly when you've worked your way through the field to get there.

But reaching that stage is an achievement in itself.

And Tracey's week wasn't finished.

On Tuesday 20 October, she was back competing in the SDO Challenge Series 3.

Once again, she reached the final.

Her route included a 3–1 quarter-final victory over Steven Thomas, averaging 65.41, followed by a much closer semi-final against Sam Jones.

Tracey won that match 3–2 with a 70.85 average.

The final against Keegan Green was another close contest, but this time Tracey was on the wrong end of a 3–2 result.

She averaged 68.57 in defeat.

So, in the space of three days, Tracey had reached two finals, including a national final, without quite managing to collect the winner's trophy.

And that, for me, is precisely why she deserves a place in this week's article.

It's very easy to look at a results page, see who won, and move on.

But the player who finishes runner-up has often won just as many difficult matches to get there.

Tracey's wider record shows someone who has competed regularly, experienced plenty of defeats as well as victories, and kept putting herself into tournaments.

That persistence deserves credit.

And reaching a national final is something she can rightly take pride in.


Three Players, Three Different Stories

This week's selections are quite a contrast.

Kelson Hughes enjoyed a superb run around North Wales, winning three Vault events on consecutive evenings before reaching the Keith Woodfine Memorial final.

Keegan Brown demonstrated remarkable consistency, reaching four finals in four days and producing some outstanding averages along the way.

And Tracey Dean reached the WADC Red Dragon National Singles final on Sunday 18 October, then followed it with another runner-up finish on Tuesday.

Three very different achievements.

There were plenty of other players who could have been featured this week, including those who won several tournaments, reached finals without winning, or produced performances well above their usual level.

But that's what makes grassroots darts so interesting.

There are stories everywhere, and not all of them finish with somebody lifting a trophy.

I'll keep looking for those stories each week.

Congratulations to Kelson, Keegan and Tracey on performances that caught my eye.

Who caught yours?

Tuesday, October 20, 2026

The Forgotten Women of Darts – Part Two: When Women's Darts Started Making Headlines (1937–1939)

 


In the first part of this series, we went back to the 1920s and 1930s and discovered that women were already competing against men in the News of the World Championship.

Eileen Turnage, an 18-year-old from Essex, reached the last eight of the Chelmsford Area Final in 1936.

A year later, Mrs A. Morgan went even further, winning the Winchester Area competition and qualifying for the News of the World Grand Finals.

Both were remarkable achievements for the time.

But as I've continued looking into the history of women's darts, something else has become apparent.

By the late 1930s, women weren't simply making occasional appearances in men's tournaments.

There were women's competitions attracting thousands of entries, darts was receiving national publicity, and the BBC was even broadcasting a women's final.

And perhaps most surprisingly, the woman who helped bring darts to a much wider female audience wasn't a professional player.

It was the Queen.

A royal game of darts

In December 1937, King George VI and Queen Elizabeth visited a community centre in Slough.

During their visit, they came across a dartboard and decided to have a throw.

The Queen scored 21.

The King managed 19.

Now, before anyone gets too excited about the Queen beating the King, there was apparently a slight advantage involved.

She was allowed to stand a foot closer to the board.

So perhaps not quite the level playing field we might expect today.

But the result wasn't really the important part.

The following day, photographs of Queen Elizabeth playing darts appeared in national newspapers.

And suddenly darts was attracting attention from people who might never previously have considered picking up a set of arrows.

Historical accounts describe a considerable increase in interest among women, with the British Darts Council reportedly receiving enquiries about where women could learn to play.

It's difficult to know exactly how many women were inspired by those photographs.

But there is something quite interesting about the whole episode.

At a time when darts was still strongly associated with working-class pubs and predominantly male players, the Queen had been photographed enjoying the game.

And if the Queen could play darts, why shouldn't other women?

Two thousand women enter a darts competition

This is probably my favourite discovery from this period so far.

On 19 April 1938, a women's darts final was broadcast by the BBC.

That might not sound particularly extraordinary today.

But remember, we're talking about 1938.

There was no television darts as we know it, no professional women's circuit and certainly no Women's Series.

The broadcast was on the wireless.

And here's the remarkable part.

The competition had attracted approximately 2,000 entrants.

Two thousand women entering a darts competition in 1938.

I certainly wasn't expecting to find that.

The final took place at the Adam and Eve pub in Homerton, London.

The finalists were Miss Champion from Ware and Mrs Westlake from London.

Unfortunately, the contemporary account I've found doesn't provide their first names, something that seems to happen rather frequently when researching women's sport from this period.

But at least we know something about their performances.

Miss Champion lives up to her name

The BBC broadcast featured commentary from Charles and Mrs Garner, who described the action for listeners.

The players competed at 501, with double-in and double-out rules.

The match was played over three legs, with two on the short throw and one on the long throw.

Miss Champion won the opening leg.

Mrs Westlake levelled the match.

And in the deciding leg, Miss Champion proved the stronger player.

The contemporary report mentions her hitting treble 20 and finishing on double top.

She won the match 2–1.

And there was something rather amusing about the prizes.

Miss Champion received a canteen of cutlery.

Mrs Westlake, the runner-up, received a fox-fur cape.

Not quite the prize funds we're accustomed to discussing today.

But then again, this was nearly 90 years ago.

The BBC broadcast was subsequently discussed in the 8 July 1938 edition of Radio Pictorial.

What particularly interests me is that the final wasn't simply mentioned in passing.

The magazine treated women's sporting broadcasts as something worth discussing in their own right.

And that's an important distinction.

Women's darts was no longer necessarily just a novelty involving the occasional woman taking on the men.

Here was an organised competition involving thousands of women, with its final considered worthy of national radio coverage.

I would love to know more about Miss Champion and Mrs Westlake.

Were they regular competitors? Did they play for pub teams? Did either continue playing after the war?

At the moment, I don't have those answers.

But I suspect their names may appear in other newspaper archives somewhere.

Women were hitting 180s too

Another interesting development came in 1938, when the News of the World introduced its Treble 20 Guild.

The idea was to recognise players who could provide the required confirmation that they had scored 180.

We tend to associate 180s with the professional game today, but naturally players were recording maximums long before television made them famous.

And women were among them.

Historical records relating to the Guild acknowledge that numerous women had qualified during the pre-war years.

Unfortunately, I haven't yet found a reliable complete list of those female players.

That's something I'd particularly like to uncover as this series develops.

Because there is a difference between knowing that women were playing darts and having evidence that some were producing genuinely impressive performances.

A 180 is a 180, regardless of whether it was thrown in 1938 or 2026.

Of course, one maximum doesn't tell us how strong a player was over an entire match.

But it certainly suggests that some women were taking their darts seriously.

From the public bar to the upper classes

Another aspect of darts during the late 1930s is how its appeal was spreading across society.

The game had traditionally been associated with pubs and working-class communities.

But darts was increasingly appearing in social clubs, organised events and even fashionable gatherings.

One particularly unusual name connected with this period is Lucy Baldwin, wife of former Prime Minister Stanley Baldwin.

In August 1938, Lady Baldwin was reported to have won a women's darts competition at the Astley Horticultural Show.

Her prize was a silver perfume set.

There's something rather wonderful about that.

At one end of the country, ordinary women were playing darts in their local pubs.

At the other end of the social scale, the wife of a former prime minister was winning a darts competition at a horticultural show.

It doesn't necessarily mean the social barriers surrounding the game had disappeared.

They certainly hadn't.

But it does suggest darts was becoming a pastime enjoyed by a much wider range of people.

And women were part of that change.

Was there really a women's darts boom?

I think we have to be a little careful here.

It's tempting to look at the Queen's appearance, the BBC broadcast and the growing number of women's competitions and conclude that women's darts was suddenly booming everywhere.

But we don't yet have enough evidence to establish how widespread or permanent that growth was.

What we can say is that there was clearly considerable activity.

We have evidence of women competing against men in the News of the World.

We have a women's competition attracting around 2,000 entrants.

We have national radio coverage.

We have reports of women recording maximum scores.

And we have examples of darts attracting women from very different social backgrounds.

That is already considerably more than I expected to find when I started researching this series.

And I suspect there are many other competitions whose results have never made it into modern darts records.

Perhaps they appeared in local newspapers for a week and were then forgotten.

Perhaps some were organised by employers, social clubs or individual pubs.

Perhaps some of the better female players of the era never entered the larger competitions at all.

There is still a lot to discover.

Then came 1939

By the summer of 1939, darts had become an established part of British popular culture.

Women were increasingly visible within the game, although it remained a predominantly male pastime.

And then everything changed.

On 1 September 1939, Germany invaded Poland.

Two days later, Britain declared war.

The Second World War would transform almost every aspect of everyday life.

Sport was no exception.

But I don't think we should automatically assume that women's darts simply stopped.

In fact, that's one of the questions I want to investigate next.

With so many men serving in the armed forces, women took on new responsibilities in workplaces and communities.

Did that create more opportunities for women to play darts?

Were there competitions in factories, military establishments or social clubs?

Did women's teams continue playing during the war?

And what happened to players such as Miss Champion, Mrs Westlake and the women who had been competing during the late 1930s?

Were they still playing when peace returned?

Or did an entire generation of female darts players gradually disappear from the record?

I don't know yet.

But that's the next part of the story.

A history that deserves remembering

When I began this series, I thought we would probably spend a little time on the early years before moving towards the more familiar names of the 1970s onwards.

Instead, we've already found enough material for two articles covering the period before the Second World War.

And some of the discoveries have genuinely surprised me.

The idea that 2,000 women entered a darts competition in 1938, with the final broadcast by the BBC, is particularly fascinating.

How many darts fans today would know that happened?

I certainly didn't.

And that is really the point of this series.

Not to take anything away from the achievements of the modern players, but to discover the women who helped establish the game long before most of us were watching.

Women's darts has a much longer history than its modern television coverage might suggest.

And we're only just getting started.


Coming next: Women's Darts During the Second World War

In Part Three, I'll be looking at what happened to women's darts between 1939 and 1945.

Did the war bring women's competitive darts to a halt, or did the changing role of women in British society create new opportunities?

And did any of the leading female players from the 1930s reappear after the war?

That's where the research takes us next.

Can you help?

I'm continuing to research the history of women's darts for Quest For Q School.

If you have old newspaper cuttings, tournament programmes, photographs or family stories involving female darts players, I'd be very interested to hear from you.

In particular, I'd love to find out more about Miss Champion of Ware and Mrs Westlake of London, who contested that remarkable BBC-broadcast final in 1938.

There must be many more stories still waiting to be discovered.

The Forgotten Women of Darts is a Q4QS historical series tracing women's involvement in the game from the earliest organised competitions through to the modern professional era.

Sources and Further Reading

This article forms part of the Q4QS series The Forgotten Women of Darts, researching the history of women's involvement in competitive darts.

The following sources have been used to help establish the historical background, events and developments covered in this instalment.

Research note: Particular acknowledgement is given to darts historian Dr Patrick Chaplin, whose extensive work documenting the early history of darts has provided valuable leads and historical context for this series. The articles are independently written for Quest For Q School, with the intention of developing the research further as additional contemporary records and personal accounts become available.

Sunday, October 18, 2026

Q4QS Weekly Spotlight: Three Players Who Caught My Eye This Week

 Another week of grassroots darts, and another three players who caught my eye.

This week has been a little different, with the ADC National Finals Weekend providing some of the biggest stories alongside the usual programme of local Vault tournaments and junior competitions.

As always, I've tried to look beyond simply counting tournament victories or picking out the biggest averages.

There's more to a good week of darts than that.

Sometimes it's about reaching a final when nobody particularly expected you to. Sometimes it's about playing consistently across several events. And sometimes it's about a younger player proving that they can compete with experienced opposition.

This week's selections are Juliet Findley, Joey Cole and Rhodri Phillips.

Three players with very different stories, but all three deserving a little recognition.


Juliet Findley — Q4QS Rank #9,671

Player Profile

Juliet Findley might not have the largest statistical record in the Q4QS database, but there's already enough there to suggest she's capable of competing with some very established names.

From 48 recorded matches, Juliet has won 30, giving her a 62.5% win rate.

She's appeared in 15 recorded events, collecting three tournament victories and reaching another two finals.

Her overall match average is 58.47, with a Q4QS Average of 56.40. Her highest recorded average is 81.64.

But averages don't tell the whole story.

Among her previous results are victories over Trina Gulliver, Tracey Dean and Mandy Smith.

Beating somebody with the experience and reputation of Trina Gulliver is certainly something worth having on your record.

And this week, Juliet added another chapter to her darts story.

This Week

Juliet began by winning Wednesday's WADC Vault 3.0 tournament at The Men of March.

She defeated Millie Jolley 3–0 in the final, producing an excellent 79.11 average.

That would have been a perfectly respectable week's work on its own.

But Saturday was something else entirely.

Competing at the ADC National Finals Weekend, Juliet reached the final of the Women's Vault National Finals, an event carrying a £3,000 prize fund.

Her route included victories over Caroline Breen, Sarah-Louise Kennedy, Rachel Harrison and Peri Yarrow.

She was particularly convincing in the latter stages, beating both Rachel Harrison and Peri Yarrow 4–0.

The final proved a step too far, with Gemma Hayter winning 5–1, although Juliet still averaged 64.59.

For many players, reaching a national final would be the highlight of their weekend.

Juliet wasn't finished.

She also reached the final of the WADC Money In, Money Out Knockout.

This time she defeated Nikki Eburne, Sue Davies, Tracey Dean and Millie Jolley.

Her 4–1 victory over Tracey Dean came with a 63.97 average, while the semi-final against Millie Jolley went all the way to a deciding leg.

The final against Jo Locke was another close contest, with Juliet narrowly losing 4–3, despite producing a 70.68 average.

Two major finals on the same day.

Two runner-up finishes.

And a tournament victory earlier in the week.

It's quite a remarkable return, particularly for someone who has only 15 recorded events in the Q4QS database.

I suspect Juliet will be disappointed not to have collected one of those Saturday titles.

But reaching two finals against strong opposition on the same day is an achievement in itself.

And it's exactly the sort of performance that deserves recognition.


Joey Cole — Q4QS Rank #958

Player Profile

Joey Cole is one of those players whose statistics suggest he's become a very difficult opponent on the local circuit.

He's won 230 of his 268 recorded matches, giving him an excellent 85.8% win rate.

Across 37 recorded events, he's collected 13 tournament victories and another 12 runner-up finishes.

That means he's reached the final in 25 of his 37 recorded tournaments.

An impressive level of consistency.

His overall match average stands at 77.33, with a Q4QS Average of 76.94.

He's also produced a highest recorded average of 103.66, a figure he's achieved on three occasions.

Among his notable victories are wins over Lloyd Walker, Jason Collins and Gemma Hayter.

So there's no question about Joey's ability.

But what particularly caught my attention this week was how regularly he was finding himself in the latter stages of tournaments.

This Week

Joey started his run on Tuesday by winning the Vault tournament at Locomotive Engineers Social Club in Eastleigh.

That gave him a tournament victory to begin what would become a very productive few days.

On Thursday, he was at Fareham Social Club, where he reached another final.

His route included a 3–1 quarter-final victory over Bailey Wilkinson and a convincing 3–0 semi-final win against Brandon Harper.

The final against Lloyd Walker was a particularly good contest.

Joey averaged 91.92, but narrowly lost 3–2.

It's worth remembering that a player can produce one of their better performances and still end up on the losing side.

And in this case, Joey had little time to dwell on it.

On Friday, he was back in action at Sarisbury Green Social Club in Southampton.

Once again, he reached the final.

He opened his campaign with a 91.57 average against Thomas Lacey and later defeated Michael Phillips 3–0 in the quarter-final, averaging 81.98.

A 3–0 semi-final victory over Lionel Webster followed.

But another title proved elusive, with Jason Collins winning the final 3–1.

So Joey finished the week with three finals in four days, including one tournament victory.

And while he might have hoped for another trophy or two, there's something to be said for regularly giving yourself the opportunity to win.

With 25 finals from 37 recorded events, Joey is clearly doing that rather well.


Rhodri Phillips — Q4QS Rank #2,238

Player Profile

Rhodri Phillips is another young player whose record is becoming increasingly interesting.

Across 358 recorded matches, he's recorded 264 victories, giving him a 73.7% win rate.

He's competed in 65 recorded events, winning 13 tournaments and reaching another 12 finals.

He's also made 12 semi-finals and 10 quarter-finals.

His overall match average stands at 66.19, with a Q4QS Average of 64.62.

His highest recorded average is an impressive 104.86, achieved against Llion Goddard in August.

And he's already recorded some notable victories over experienced opposition, particularly Sion Thomas.

That last point is especially relevant to this week's performances.

This Week

Rhodri enjoyed an excellent Sunday, winning the Junior Volts tournament at Towy Sports Bar.

But he also made his mark in open competition.

At The Glanyrafon Arms in Llandysul, he won the Vault 19 event, defeating Sion Thomas 3–1 in the final.

He averaged 73.22 in that match, having earlier beaten the same opponent 2–0 during the tournament.

His semi-final victory over Jamie Lee Evans was particularly impressive, coming with an 88.41 average.

Winning a junior event is always encouraging.

Winning an open tournament against established players is another matter.

And it suggests Rhodri is developing the ability to compete successfully beyond junior darts.

Later in the week, he also took part in the ADC National Finals Weekend.

He recorded victories in the Level Up qualifying competitions before exiting in the last 128 on both occasions.

Those results might not grab the headlines, but gaining experience in larger competitions can be valuable.

Then on Saturday, Rhodri returned to familiar surroundings at Glanyrafon Arms, where he won another Junior Volts event.

He defeated Steffan Thomas 3–2 in the semi-final, averaging 78.84, before beating Oliver Williams 3–2 in the final.

That completed a week featuring two junior tournament victories and an open Vault title.

For me, the most encouraging part isn't necessarily the number of trophies.

It's the fact that Rhodri is already demonstrating that his game can transfer into open competition.

There will undoubtedly be tougher tests ahead, but weeks like this suggest he's moving in the right direction.


Three Different Stories, One Common Theme

This week's three players couldn't really have been more different.

Juliet Findley reached two national finals on the same day, coming agonisingly close to a title in the WADC Money In, Money Out competition.

Joey Cole demonstrated the sort of consistency that many grassroots players would love to achieve, reaching three finals in four days.

And Rhodri Phillips continued to make progress in junior darts while also proving capable of winning against experienced open-circuit opposition.

There were plenty of other players who could have been included this week.

Some won more tournaments. Others produced higher averages.

But I don't want the Weekly Spotlight to become another rankings table.

We've already got plenty of those.

The idea is to recognise performances and stories that deserve a mention, whether that's a national finalist, a consistent local competitor or a young player beginning to make an impression.

And this week, Juliet, Joey and Rhodri certainly caught my eye.

Congratulations to all three.

Vault 19 Tournament Strength: Pinches Hits 1.350 Again as New Challengers Shake Up the Top 10

 




Week 5 update | Week ending 17 October 2026

Five weeks into Vault 19, and just when I thought the Tournament Strength picture was beginning to settle, we've had another interesting week.

Some of the familiar names remain near the top, but there are new challengers appearing, and one venue has produced a particularly impressive response to a slight drop in its recent figures.

Pinches Cue Club in Norwich has recorded another Tournament Strength of 1.350.

That's exactly the same as its opening Vault 19 score, which has led the rankings since the beginning.

Meanwhile, Cressex Social Club has made a big move, Coppenhall and Bostin Darts have entered the leading group, and WADC Vault 3.0 has produced another strong Welsh result.

The more tournaments I look at, the more interesting the comparison becomes between venues producing one exceptional field and those doing it repeatedly.

How the rankings work

As with the previous updates, each venue appears only once in the rankings, using its highest Tournament Strength recorded during the current Vault series.

Other results are still important because they help me judge consistency, but they don't give a venue additional positions.

I'm also continuing to treat Penybanc RFC #1 and #2 as one venue.

Vault 19 – Strongest Venues After Five Weeks

Rank

Venue

Tournament Strength

1

Pinches Cue Club, Norwich

1.350

2

Faringdon Football Club

1.329

3

Cressex Social Club, High Wycombe

1.317

4

Tipton Sports Academy

1.297

5=

Coppenhall WMC, Crewe

1.292

5=

Bostin Darts 180 Bar, Blackheath

1.292

7

Bedlinog Rugby Club

1.285

8

Bagley Sports & Social Club

1.280

9=

The Brookside, Syston

1.278

9=

Pendlebury Social Club, Manchester

1.278

Highest individual Tournament Strength per venue, through 17 October. Equal scores share a position.

Pinches Is Still the Venue to Beat

I've written quite a bit about Pinches over the past month, but it keeps giving me a reason to return to it.

Its opening three events produced:

1.350 → 1.340 → 1.331

It subsequently recorded 1.324 and then 1.304.

There was a gradual reduction, although even that lowest figure remained above 1.300.

Then, on 15 October, Pinches returned to 1.350.

That gives it six consecutive Vault 19 tournaments with a Tournament Strength above 1.300.

And two of those have reached 1.350.

It's becoming increasingly difficult to argue that Pinches' original score was simply one exceptional night.

The venue has repeatedly attracted fields of a remarkably high standard.

I still wouldn't declare the competition settled after five weeks, but Pinches is building a very convincing case.

Cressex Makes the Biggest Move

One of the most eye-catching results this week came from Cressex Social Club in High Wycombe.

Its tournament on 15 October produced a Tournament Strength of 1.317.

That puts Cressex straight into third place, behind only Pinches and Faringdon.

What's particularly interesting is the difference between that figure and its previous results.

Its preceding four events had recorded 1.119, 1.119, 1.068 and 1.080.

So the latest 1.317 represents a substantial jump.

It's a good reminder that a venue can suddenly attract a much stronger field than it has been producing previously.

Whether Cressex can repeat that performance will be worth watching.

Coppenhall and Bostin Join the Leading Group

Two more venues have entered the Top 10 with identical best scores.

Coppenhall WMC in Crewe — 1.292

Bostin Darts 180 Bar in Blackheath — 1.292

Coppenhall is particularly interesting because it had already been producing respectable Tournament Strength figures before reaching this new high.

Its recent scores included 1.203, 1.182, 1.211 and 1.235 before its 1.292 on 15 October.

That suggests a venue capable of producing competitive fields fairly regularly.

Bostin's 1.292 came on 16 October, following several considerably lower scores.

Both have now moved into the leading group, but their routes there have been quite different.

That's another reason why I think the individual tournament histories are becoming as interesting as the rankings themselves.

Pendlebury Is Another New Name

Pendlebury Social Club in Manchester has also entered the Top 10.

Its two recorded Vault 19 figures are:

1.263 → 1.278

That's an encouraging start.

Two strong scores are more useful evidence than one, and Pendlebury now joins a growing group of venues that I'll be watching over the coming weeks.

What About Last Week's Leaders?

Faringdon remains second at 1.329, although it hasn't improved on that best score.

Tipton is fourth at 1.297.

Bedlinog, Bagley and The Brookside remain among the leading venues.

However, the arrival of Cressex, Coppenhall, Bostin and Pendlebury means some familiar names have slipped outside the Top 10.

That includes Sartan Club and Hethersett Social Club, both of which have best scores of 1.265.

Sartan's latest tournament dropped to 1.128, while Hethersett recorded 1.223.

Neither has suddenly become a weak venue. Their earlier strong performances still count.

But other venues have produced higher individual scores.

That's the nature of ranking by each venue's best event.

It also explains why I want to keep following the repeat performances rather than judging everything by the table alone.

WADC Vault 3.0 – Another Welsh Challenger Emerges

The WADC Tournament Strength rankings have been dominated by Wales throughout these updates.

Briton Ferry Workies has led since its outstanding 1.151, while Penybanc, The 9 Darter and Resolven have occupied the positions behind it.

This week, another Welsh venue has joined that leading group.

And this time the result has come from North Wales.

WADC Vault 3.0 – Strongest Venues After Five Weeks

Rank

Venue

Tournament Strength

1

Briton Ferry Workies

1.151

2

Penybanc RFC, Ammanford

1.077

3

Copa #2, Caernarfon

1.009

4

The 9 Darter, Port Talbot

0.997

5

Arrows Darts Venue #2, Resolven

0.986

6

Dereham Cricket Club

0.980

7

MK Cocktail Lounge, Bodmin

0.947

8

Castle Arms, Denbigh

0.944

9

Walton WMC

0.941

10

Copa #1, Caernarfon

0.936

Highest individual WADC Vault 3.0 Tournament Strength per venue. Penybanc entries are combined; Copa #1 and #2 are shown separately as recorded in the export.

Copa Gives North Wales a Place Among the Leaders

The major WADC development this week is Copa #2 in Caernarfon, which recorded 1.009 on 11 October.

That takes it straight into third place.

It also means that three WADC venues have now recorded Tournament Strength figures above 1.000:

Briton Ferry at 1.151, Penybanc at 1.077 and Copa #2 at 1.009.

All three are Welsh.

Until recently, much of the WADC story centred on South Wales.

But with Copa joining the leading group and Castle Arms in Denbigh also featuring, North Wales is beginning to make its presence felt.

Briton Ferry Remains Top

There is no change at No.1.

Briton Ferry's 1.151 remains comfortably ahead of the rest.

However, its latest event on 16 October produced 0.999.

That is an improvement on the previous week's 0.937 and another score very close to 1.000.

Briton Ferry has now recorded a variety of figures, including 0.961, 0.989, 1.151, 0.937 and 0.999.

That variation is perfectly normal.

But the fact it keeps returning to around 1.000 or better is another reason why it remains one of the standout WADC venues.

England Is Still Chasing

Dereham Cricket Club remains England's highest-ranked WADC venue at 0.980.

MK Cocktail Lounge in Bodmin follows at 0.947, while Walton WMC has a best of 0.941.

Those are strong figures, but Wales has now extended its advantage at the very top.

The first five positions are all Welsh.

And the Welsh strength is no longer coming exclusively from one part of the country.

That's probably the biggest development in the WADC picture this week.

A Word About Consistency

There's another interesting example further down the WADC rankings.

Derby Arms in Birkenhead has recorded Tournament Strength figures of 0.889 and 0.888.

Those numbers aren't enough to enter the Top 10, but they're almost identical.

That's precisely the kind of consistency I want to keep an eye on.

As more tournaments are played, it should become possible to identify venues that regularly attract fields of a particular standard, even if they never produce the single highest score.

Five Weeks In – What Have We Learned?

The main Vault 19 rankings have become considerably more competitive.

Pinches remains the benchmark, but the really impressive part is that it has now returned to its original 1.350 after several other strong performances.

Cressex has jumped into third place.

Coppenhall, Bostin and Pendlebury have joined the leading group.

And some established venues have slipped down the rankings without necessarily becoming any less competitive.

In WADC Vault 3.0, Briton Ferry remains the leader, but Copa's arrival in third place gives the Welsh story another dimension.

South Wales continues to provide some of the strongest fields, while North Wales is now making an impact too.

England has strong challengers, particularly Dereham and Bodmin, but the top five positions currently belong to Wales.

Five weeks ago, I was mainly interested in finding the biggest Tournament Strength numbers.

Now I'm beginning to see something much more useful.

Which venues are capable of producing strong tournaments again and again?

Pinches is setting an impressive example.

But with new challengers emerging every week, there is still plenty to discover before Vault 19 is over.

Monday, October 12, 2026

Introducing The Forgotten Women of Darts

 


When people talk about the history of women's darts, the same names understandably come up.

Fallon Sherrock, Beau Greaves, Lisa Ashton, Trina Gulliver, Anastasia Dobromyslova and, going back further, Maureen Flowers.

All have made enormous contributions to the game.

But what about the women who came before them?

Who was playing darts in the 1920s and 1930s? Were women entering competitions against men? Were there organised women's tournaments long before the BDO or PDC existed?

And perhaps most importantly, how many talented female players have simply disappeared from the history of the sport?

That's what I want to explore in a new Q4QS series, The Forgotten Women of Darts.

I'm going to start in the 1920s and work forwards, looking at the players, competitions, personalities and developments that helped shape women's darts.

Some names will be familiar. Others may be completely new to most readers, including me.

I'll be using historical records, contemporary newspaper reports and other available material to piece together the story. Where possible, I'd also like to hear directly from people who played, organised or witnessed women's darts in earlier decades.

And I suspect there will be a few surprises along the way.

The first instalment takes us back almost 100 years, to a time when darts was largely played in male-dominated pubs, yet women were already entering major competitions and beating men.

Welcome to The Forgotten Women of Darts.

The Forgotten Women of Darts – Part 1: The Women Who Played the Men (1920s–1937)

When you think about women playing competitive darts against men, what comes to mind?

For many people it will be Fallon Sherrock beating Ted Evetts at Alexandra Palace in December 2019.

Perhaps you think of Lisa Ashton earning a PDC Tour Card, or Beau Greaves competing against some of the best players in the world.

Go back further and you arrive at Maureen Flowers, arguably the first truly recognisable female darts star.

But what if I told you that women were entering major darts competitions against men nearly a century ago?

And not simply entering.

Some were winning matches, progressing through qualifying rounds and earning places in the biggest tournaments of their day.

For the first instalment of The Forgotten Women of Darts, I'm going right back to the beginnings of organised competitive darts.

Before the television cameras

Darts in the 1920s looked very different from the game we know today.

There were no packed arenas, televised World Championships or professional tours offering substantial prize money.

The pub was the centre of the darts world.

The National Darts Association was established in 1925, helping bring greater organisation to a sport that was growing rapidly in popularity.

Then, during the 1927–28 season, the News of the World Individual Darts Championship began.

It initially attracted around 1,000 entrants in the London area, but would eventually become one of the most prestigious competitions in the sport.

By the 1938–39 season, participation had reportedly grown to more than 280,000 entries.

Imagine trying to win your way through a competition of that size.

And here's something that surprised me when I started looking into this period.

Women were allowed to enter.

That doesn't mean they enjoyed the same opportunities as men.

Far from it.

A man's world?

We have to remember what Britain was like during the 1920s and 1930s.

Pubs, particularly public bars, were overwhelmingly male environments.

For men, playing darts regularly might simply mean visiting the local pub after work, joining a team and entering competitions.

For women, things weren't always so straightforward.

Even where there was no formal rule preventing them from competing, social attitudes and access to playing facilities created considerable barriers.

A woman might be perfectly capable of playing good darts but have far fewer opportunities to practise or compete.

That makes the achievements of some of the early female players all the more interesting.

Because despite those obstacles, women were playing.

And some were clearly very good.

Eileen Turnage — the teenager from Essex

One of the earliest names I've uncovered is Eileen Turnage.

Eileen grew up at the Cherry Tree pub in Witham, Essex, where her father William was the landlord.

Unlike many women of her generation, Eileen had regular access to a dartboard and the opportunity to develop her game.

She also played in the Cherry Tree darts team.

In 1936, aged just 18, she entered the News of the World competition.

Not a women's competition.

The same competition as the men.

Eileen won the Cherry Tree's qualifying event and progressed through the competition until she reached the Chelmsford Area Final, held at the Golden Fleece.

There she reached the last eight.

Her achievement was reported in the Essex Chronicle in May 1936.

Now, a quarter-final appearance might not sound particularly remarkable to somebody following modern darts.

But put yourself back in 1936.

An 18-year-old woman had entered a major darts competition, beaten male opponents and progressed far enough to attract newspaper attention.

And this was happening decades before organised women's darts became an established part of the sport.

I wonder how many other young women were doing something similar without their achievements being recorded.

Mrs Morgan — a remarkable achievement in 1937

If Eileen Turnage's story was impressive, what happened the following year was even more significant.

A woman recorded in historical accounts as Mrs A. Morgan represented the Old House at Home pub in Colden Common, Hampshire.

In April 1937, she competed in the Winchester Area section of the News of the World Championship.

And she won.

That victory earned Mrs Morgan a place in the News of the World Grand Finals in London.

She had qualified through the normal competition structure, playing against men.

She wasn't appearing as an exhibition player or receiving a special invitation because she was a woman.

She had earned her place.

Mrs Morgan lost in the first round of the Grand Finals, but that result hardly tells the full story.

As far as the surviving historical research establishes, she became the first woman to qualify for the News of the World Grand Finals.

Think about that for a moment.

In 1937, a woman was competing in the final stages of one of the most important darts tournaments in Britain.

This was nearly 40 years before the BDO was established and more than 80 years before Fallon Sherrock's famous victories at Alexandra Palace.

The circumstances were different, of course, and I wouldn't pretend the achievements are directly comparable.

But Mrs Morgan deserves a place in the history of competitive darts.

And yet how many darts supporters today have heard of her?

Were these women really exceptions?

This is the question I keep coming back to.

We know about Eileen Turnage because her progress was reported in a newspaper and later documented by darts historians.

We know about Mrs Morgan because she achieved something significant enough to enter the tournament's historical record.

But what about everyone else?

Were there women's pub teams competing regularly?

How many women entered local News of the World qualifying events?

Were there female players capable of matching the better male players in their areas, but who never progressed far enough to attract national attention?

And how many names have simply been lost?

I suspect there are considerably more stories waiting to be uncovered.

One of the difficulties with researching early women's darts is that the records are incomplete.

A newspaper might report that a woman won a competition without giving her first name. Other reports might mention a women's tournament without recording the results.

That makes building a complete picture difficult.

But it doesn't mean those competitions or players weren't important.

In fact, the gaps in the records are part of what makes this project interesting.

The day the Queen played darts

Towards the end of 1937, something rather unexpected happened.

King George VI and Queen Elizabeth visited a community centre in Slough.

During the visit, they were invited to throw darts.

The Queen scored 21.

The King managed 19.

Apparently, the Queen was allowed to stand a little closer to the board, so perhaps we shouldn't read too much into the result.

But the scores weren't the important part.

The photographs were.

Pictures of Queen Elizabeth playing darts appeared in the newspapers, bringing the game to an audience far beyond the traditional pub environment.

Historical accounts suggest that the publicity encouraged greater interest among women, with enquiries being made about opportunities to learn and play.

It is difficult to measure precisely how much influence that royal appearance had.

But what happened next is certainly interesting.

During 1938, women's darts competitions were attracting substantial entries.

One tournament reportedly involved around 2,000 women, with its final broadcast by the BBC.

There were female players recording 180s, women's competitions appearing in local newspaper reports and growing evidence that darts was reaching women from very different backgrounds.

And all this was happening before the Second World War.

A forgotten beginning

When I started looking into women's darts history, I expected the story to become interesting around the 1970s, with Maureen Flowers and the development of organised women's competitions.

Instead, I've found women competing against men in the 1930s.

An 18-year-old from Essex reaching the last eight of an area final.

A woman from Hampshire qualifying for the News of the World Grand Finals.

And a Queen whose three darts helped bring national attention to women playing the game.

I certainly didn't expect to find all that in the first few years of research.

And I suspect we've only scratched the surface.

Women's darts didn't begin with the television era. Its roots go much further back.

The challenge now is to uncover as much of that history as possible.

Coming next: The Forgotten Women's Darts Boom, 1937–1939

In Part Two, I'll look at what happened after the Queen's famous visit.

A women's tournament attracting approximately 2,000 entrants.

A BBC broadcast of a women's darts final.

Women hitting 180s.

And some rather surprising names appearing in darts competitions.

It seems women's darts was developing momentum in the late 1930s.

Then came September 1939.

And the world changed.


Can you help uncover the forgotten history?

I'm researching this series for Quest For Q School and would love to hear from anybody with information about women's darts in earlier decades.

Perhaps a parent or grandparent played competitively. Perhaps you have old newspaper cuttings, tournament programmes, photographs or stories that have been passed down through your family.

I'm particularly interested in the players and competitions that have largely disappeared from the records.

You can get in touch through Q4QS or the Q4QS Facebook group

There are almost certainly many more stories waiting to be told.

The Forgotten Women of Darts is an ongoing Q4QS historical series, tracing women's involvement in competitive darts from its earliest organised years to the modern professional game.

The main sources supporting this first instalment are:



Sunday, October 11, 2026

Vault 19 Tournament Strength: Pinches Still Leads After Four Weeks, but the Chasing Pack Is Growing

 




Four weeks into Vault 19, and we're starting to get a much clearer picture of which venues are regularly attracting the strongest fields.

When I began this series, I was looking at the biggest Tournament Strength scores from individual events.

Now, with several tournaments behind many of the venues, I'm increasingly interested in something else.

Which venues can keep producing strong fields, week after week?

At the very top, the answer remains familiar.

Pinches Cue Club in Norwich still leads Vault 19 with a Tournament Strength of 1.350.

But the chasing group is developing, with Barnsley WMC joining the Top 10, Hethersett continuing to improve and Sartan producing another particularly strong tournament.

Meanwhile, in WADC Vault 3.0, Wales continues to occupy the leading positions, although a new English challenger has emerged from Cornwall.

How the Rankings Work

I'm continuing with the same method used in previous updates.

Each venue appears only once, ranked by its highest Tournament Strength recorded during the current Vault series.

That prevents a venue from occupying several positions simply because it has staged multiple tournaments.

However, I also look at the other scores to judge consistency.

A venue producing one exceptional field is interesting.

A venue producing strong fields repeatedly tells me considerably more.

Vault 19 – Strongest Venues After Four Weeks

RankVenueHighest Tournament Strength
1Pinches Cue Club, Norwich1.350
2Faringdon Football Club1.329
3Tipton Sports Academy1.297
4Bedlinog Rugby Club1.285
5Bagley Sports & Social Club1.280
6The Brookside, Syston1.278
7Barnsley WMC1.274
8The Gardeners Arms, Ipswich1.270
9=Hethersett Social Club1.265
9=Sartan Club1.265

Highest individual Tournament Strength per venue, using results through 10 October 2026.

Pinches Still Sets the Standard

There is no change at No.1.

Pinches' opening Tournament Strength of 1.350 remains unbeaten.

But as I've mentioned throughout this series, what makes Pinches particularly impressive isn't simply that opening score.

It's what has happened since.

Its first three Vault 19 tournaments produced:

1.350 → 1.340 → 1.331

Now its latest tournament, played on 8 October, has recorded 1.304.

That's a slight reduction, but it is still another very strong field.

Four events, all above 1.300.

That is a much stronger indication of a genuinely difficult regular venue than one exceptional opening tournament.

Pinches has now provided four consecutive pieces of evidence.

At this stage, it remains the benchmark for everyone else.

The Chasing Pack Is Getting More Interesting

Faringdon Football Club remains second with 1.329, followed by Tipton Sports Academy at 1.297.

Bedlinog Rugby Club, which made its appearance in the leading group last week, remains fourth with 1.285.

Bagley Sports & Social Club holds fifth at 1.280, while The Brookside in Syston sits sixth at 1.278.

But there is a new addition immediately behind them.

Barnsley WMC has entered the Top 10 with 1.274.

That is a strong enough figure to move ahead of several established venues.

As always, the next question is whether Barnsley can back it up.

We've already seen with Pinches that repeat performances are where the really interesting stories begin.

Hethersett Keeps Moving Up

One of the most interesting venues to follow throughout Vault 19 has been Hethersett Social Club.

Its early progression was:

1.224 → 1.237 → 1.260

Now it has reached 1.265.

That's four successive improvements.

It may not have produced the spectacular single-event figure of Pinches or Faringdon, but there is something impressive about a venue steadily strengthening its fields.

Hethersett has now moved level with Sartan's best Tournament Strength.

If it continues in this direction, it could become one of the more interesting venues in the entire series.

Sartan Produces Another Excellent Field

Sartan Club is another venue where looking at the best score alone doesn't tell the full story.

Its opening Vault 19 figure was 1.265.

It then dropped to 1.184, before recovering to 1.256.

Now its latest tournament, on 7 October, has produced 1.264.

That's almost identical to its opening score.

For me, that is important.

Sartan has already established itself as one of the stronger South West venues, and it is continuing to attract competitive fields.

It may only be joint ninth in the current national Top 10, but its repeat performances provide a stronger indication of consistency than that position alone suggests.

What About the Other Established Venues?

Not every venue that featured prominently in the earlier updates remains inside the Top 10.

Lindsay Constitutional Club, for example, remains close to the leading group with its best of 1.251.

North Star Club has also featured strongly during Vault 19.

The fact that venues producing Tournament Strength scores around 1.250 can now find themselves outside the Top 10 says something about the competition developing across the series.

The benchmark for reaching the leading group is rising.

And with every additional tournament, we're getting a better picture of which venues can maintain that standard.


WADC Vault 3.0 – Wales Still Leads, but Bodmin Joins the Chase

The WADC Tournament Strength story has been particularly interesting over the past four weeks.

Initially, The 9 Darter in Port Talbot led the way.

Then Briton Ferry Workies produced a huge 1.151, while Penybanc RFC established itself as another strong Welsh venue.

Last week, Wales occupied the top four positions.

That hasn't changed.

But there has been movement further down the table, including a strong new result from Cornwall.

WADC Vault 3.0 – Strongest Venues After Four Weeks

RankVenueHighest Tournament Strength
1Briton Ferry Workies1.151
2Penybanc RFC, Ammanford1.077
3The 9 Darter, Port Talbot0.997
4Arrows Darts Venue #2, Resolven0.986
5Dereham Cricket Club0.980
6MK Cocktail Lounge, Bodmin0.947
7Castle Arms, Denbigh0.944
8Walton WMC0.941
9Copa #1, Caernarfon0.936
10=Fordham RBL0.933
10=London GAA, Ruislip0.933

One venue per position, using its highest WADC Vault 3.0 Tournament Strength. Penybanc RFC #1 and #2 are combined as one venue.

Briton Ferry Remains the Benchmark

Briton Ferry Workies continues to lead at 1.151.

Its progression earlier in Vault 3.0 was particularly impressive:

0.961 → 0.989 → 1.151

That's a substantial improvement across successive events.

The latest rankings haven't changed Briton Ferry's position, but it remains comfortably ahead of the chasing venues.

Penybanc is second at 1.077, with The 9 Darter third at 0.997.

The difference between first and second is now 0.074, while Briton Ferry is more than 0.150 ahead of The 9 Darter.

That's a significant lead at this stage.

The 9 Darter Is Showing Consistency

One of the strongest WADC developments this week actually comes from a venue that hasn't moved in the rankings.

The 9 Darter in Port Talbot has recorded another Tournament Strength of 0.995.

Its previous best was 0.997.

That's a difference of just 0.002.

It doesn't improve its ranking position, but it does provide excellent evidence that the venue can repeatedly attract fields of a similar strength.

And that is exactly what these weekly updates are designed to identify.

Bodmin Is the New English Challenger

The biggest English addition this week is MK Cocktail Lounge in Bodmin.

Its Tournament Strength of 0.947 moves it into sixth place.

That puts it behind Dereham Cricket Club, which remains the leading English venue at 0.980, but ahead of several other established WADC venues.

It is encouraging to see another English venue producing a strong field, particularly from the South West.

Bodmin now becomes one to watch as Vault 3.0 progresses.

More Welsh Venues Are Appearing

Although England has a new challenger, Wales is still well represented beyond the leading four.

Castle Arms in Denbigh has reached 0.944, while Copa #1 in Caernarfon has recorded 0.936.

That gives Wales six venues inside the leading ten positions when the tie for tenth is included.

The strength isn't confined entirely to South Wales, either.

With Denbigh and Caernarfon appearing, we're beginning to see competitive WADC fields from further north.

That's an interesting development for the women's game.

Has England Caught Wales?

Not yet.

The first four positions remain Welsh:

  1. Briton Ferry Workies – 1.151

  2. Penybanc RFC – 1.077

  3. The 9 Darter – 0.997

  4. Arrows Darts Venue #2 – 0.986

Dereham remains England's best at 0.980, with Bodmin now joining the leading group at 0.947.

But this is becoming about more than a simple England-versus-Wales comparison.

What interests me is the number of different venues beginning to produce strong WADC fields.

If those venues continue attracting players, the depth of the women's Vault circuit should become increasingly interesting to measure.

And that's something I want Q4QS to keep following.

Four Weeks In – What Have We Learned?

After four weeks, the Vault 19 Tournament Strength picture is becoming clearer.

Pinches Cue Club remains the standout venue.

Its highest score of 1.350 still leads, but four consecutive tournaments above 1.300 are the real story.

Faringdon and Tipton remain the closest challengers on highest score.

Bedlinog and Barnsley have joined the leading group.

Hethersett continues to improve, while Sartan has produced another result almost identical to its opening Tournament Strength.

In WADC Vault 3.0, Briton Ferry remains the benchmark, with Penybanc and The 9 Darter providing strong Welsh support.

Bodmin has emerged as another English challenger, while Denbigh and Caernarfon show that strong women's fields are appearing beyond South Wales.

I'm still ranking venues by their single highest Tournament Strength, but the longer this series continues, the more interested I become in the other numbers.

Because there is a difference between staging one exceptionally strong tournament and being a venue where strong tournaments happen regularly.

After four weeks, Pinches is making a very convincing case for the latter.

And that is what I'll continue looking for as Vault 19 and WADC Vault 3.0 progress.

Saturday, August 8, 2026

WADC Winmau Tour Championship South Returns – Four More Titles Up for Grabs at Bradmoor Farm

 


The women's WADC Winmau Tour Championship South returns to Bradmoor Farm this weekend, 8th-9th August, with Events 5-8 taking place and four more titles up for grabs.

And if the opening four events are anything to go by, predicting where those titles will go won't be easy.

The first four South tournaments produced four different winners — Gemma Hayter, Louise Pearson, Deta Hedman and Trina Gulliver — while some of the most consistent performers across the series are still waiting for their first victory.

Add Fallon Sherrock to this weekend's field, together with several players arriving in excellent wider form, and the second half of the South series looks fascinating.

Who Has Performed Best at Bradmoor Farm?

As with the men's preview, I've created a Q4QS performance score based on how far players progressed across the previous South events.

It is important to stress that these are not official WADC ranking points or official standings. The score is simply a Q4QS measure designed to highlight sustained performance across Events 1-4.

PlayerQ4QS South Performance Score
Jo Locke22
Gemma Hayter22
Louise Pearson21
Eve Watson21
Vicky Pruim21
Deta Hedman20
Trina Gulliver18
Rebecca Rose17
Steph Clarke16
Lisa Brosnan16

And there is an immediate story in those numbers.

Jo Locke jointly leads the measure despite not winning an event.

Locke has instead built her score through consistency: a runner-up finish, semi-final, quarter-final and Last 16 across the four tournaments.

Gemma Hayter reaches the same 22 points via a rather different route, including both a title and a runner-up finish.

Is Vicky Pruim the Ultimate Consistency Pick?

There is another name that particularly stands out.

Vicky Pruim has reached at least the quarter-finals in all four South events.

She hasn't yet won one, but a semi-final and three quarter-finals have given her 21 points on the Q4QS measure.

And her wider form makes that record even more interesting.

Pruim has subsequently won WADC Winmau Championship North Event 6, averaging 77.92 across the tournament, and then won the UKDA National Finals. She also reached the Women's World Matchplay quarter-finals.

If there is a player whose previous Bradmoor Farm consistency and wider form combine particularly well, Pruim has an excellent case.

Gemma Hayter Already Has the Bradmoor Formula

Gemma Hayter doesn't need to wonder whether she can win here.

She already has.

One title and one runner-up finish from the opening four events put Hayter alongside Jo Locke at the top of the Q4QS South performance measure.

Her form elsewhere has strengthened considerably too.

Hayter's recent results include winning the WDF World Masters with a 78.04 tournament average and another recent Vault victory at Fareham. Her database form stands at eight wins from her last ten matches.

That combination of previous Bradmoor success and current winning form makes her difficult to overlook.

The Champions Are Back

Hayter isn't the only previous South champion returning.

Deta Hedman has already lifted one of the four titles and arrives with significant recent success elsewhere. Hedman won an England Open event with an 81.36 tournament average, reached the UKDA National Finals final and subsequently made the Women's World Matchplay quarter-finals.

Trina Gulliver is another of the four South winners. Her wider results include a run to a PDC Women's Series final, where she averaged 70.21 across the event before being stopped by Beau Greaves.

Then there is Louise Pearson, whose South title and other solid finishes leave her just one point behind the leaders in the Q4QS performance measure.

Four events.

Four different champions.

There has been no monopoly on winning at Bradmoor Farm so far.

But Now Fallon Sherrock Enters the Equation

And this is where the second set of South events becomes particularly interesting.

Fallon Sherrock heads the Q4QS Six Players to Watch.

Sherrock arrives after reaching the Women's World Matchplay final, averaging 87.93 across the tournament before losing to Beau Greaves. Her run included a 5-1 victory over Lisa Ashton with a 90.55 average and a 5-0 win over Deta Hedman.

The tournament generator gives Sherrock a 73% win rate in its analysed sample and a best recorded average of 102.12.

Previous Championship South results give us plenty of established contenders.

Sherrock gives them another major obstacle.

Q4QS Six Players to Watch

The preview generator analyses the wider Q4QS database rather than simply selecting the six players who have performed best in the previous South events.

That gives us:

1. Fallon Sherrock

The obvious headline name, but also a selection backed by the numbers.

Sherrock's recent Women's World Matchplay final demonstrates her current level, while a best recorded average of 102.12 shows the scoring ceiling available.

If she brings anything approaching her Matchplay form to Bradmoor Farm, she will take some stopping.

2. Vicky Pruim

Perhaps the most compelling combination of course form and current form in the field.

Four Championship South events have brought four quarter-finals or better, and since then Pruim has added Championship North and UKDA National Finals titles.

The generator gives her a 76% win rate and best recorded average of 95.43.

Can she finally turn all that Bradmoor consistency into a South title?

3. Trina Gulliver

Already a winner here and capable of another deep run.

Her Women's Series final provides further evidence that Gulliver remains capable of negotiating big fields, while the generator records a 74% win rate and best average of 92.49.

4. Gemma Hayter

One of the strongest cases of all.

Hayter has already won a South event, jointly leads the Q4QS South performance table and comes into this weekend with an 8-2 last-ten record.

Her generator numbers are equally impressive: an 82% win rate and best recorded average of 98.02.

There isn't much missing from that profile.

5. Deta Hedman

Another previous South winner with significant recent form.

The generator gives Hedman an 82% win rate, while her recent England Open success demonstrates that she continues to collect titles.

Her experience in long tournament days hardly needs explaining either.

6. Steph Clarke

Steph Clarke completes the six — and could be one of the particularly interesting selections.

She has already reached a South final this year, but her subsequent form includes winning WADC Championship North Event 8 and reaching a WDF World Masters semi-final.

Her last-ten database record is 8-2, while the generator identifies a 78% win rate and a best recorded average of 96.97.

And Don't Forget the Players Outside the Six

As ever, Six to Follow doesn't mean six possible winners.

Jo Locke hasn't made the graphic despite jointly leading the Q4QS South performance measure. She has also reached a PDC Women's Series quarter-final and carries a 7-3 recent record in the database.

Eve Watson is only a point behind the leaders in the South measure and has been winning WADC Vault events, including one with an 82.37 tournament average.

Rebecca Rose could be a particularly interesting outsider. She sits eighth in the South performance measure but comes into the weekend having won nine of her last ten recorded matches, with a string of recent Vault victories.

That depth is why four titles across two days could produce almost any combination of winners.

Four Events Could Change Everything

There is one final reason this weekend is particularly significant.

We have played four South events.

We're about to play another four in a single weekend.

Everything we've learned from the opening half of the series could therefore look very different by Sunday night.

Can Jo Locke turn consistency into her first South title?

Can Vicky Pruim maintain her extraordinary record of reaching at least the quarter-finals every time?

Will Gemma Hayter, Deta Hedman or Trina Gulliver become the first two-time South champion of 2026?

What happens when Fallon Sherrock is added to the equation?

And can Steph Clarke carry her Championship North form into the South?

The first four tournaments established the contenders.

Events 5-8 could completely reshape the picture.

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